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Mahabalipuram, a coastal town 64 kms from Chennai is a sculptor’s delight.
Mahabalipuram, is now known as Mamallapuram. It is believed to have been called
Mahabalipuram after the great king Mahabali, who was blessed by Lord Vishnu in his
Vamana Avataram. It is known as Mamallapuram after the Pallava king Narasimhavaramn I,
who bore the title of Mamallan (great wrestler). The major contributions were by the
Pallava rulers Narasimha Varman & Rajasimhan. The earlier works were rock cut temples &
manadapams, while during the period of Rajasimhan they were structural constructions.
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| Arjuna's Penance |
| This bas relief, is an extensive panel (27 metres long & 9 metres high of relief
sculptures, with life size images. There are two beliefs as to the theme of the
sculptures. Arjuna, one of the Pandava brothers is said to have done penance asking for
a powerful weapon with which to destroy his enemies. The huge gathering of celestials
and humans witness the great scene. According to the second belief, it is Bhagiratha's
penance to get river Ganges down to the earth. His prayers are answered and Lord Shiva
sends the Ganges down to the earth, controlling its rapid flow by allowing it to trickle
from his matted locks. The natural cleft in the rock face depicts the flow of Ganga,
watched over by celestials and humans. There are several images of animals too. |
| Pancha Pandava Rathams |
| The five rathas are mini shrines which are carved out of one rock constructed in the
form of chariots. The Dharmaraja, Bhima, Arjuna & Draupadi rathams have been carved out
of one single boulder. Draupadi and Arjuna rathams have a common platform. The rathams
are modeled on different architectural styles: the Buddhist Viharas - Dharmaraja;
Arjuna; & Nakula, Sahadeva's rathams the Buddhist Chaityas - Vessera style - Bhima's
ratham with longitudinal structure, barrel roof modern Bengali huts - Draupadi's ratham
with a square cell, curvilinear roof. The Dharmaraja ratham has a three storeyed vimana.
In the Draupadi ratham, the image of Draupadi is carved on the inside. On the rear wall
of the Arjuna ratham is the image of Indra. There is a huge elephant and lion carved out
near the rathams. These rathams are characterised by open verandahs in the ground
storey, with typical Pallava style pillars. The pillars have crouching lion bases. These
five rathams are in one spot. There are three more rathams Valayankuttai, Pidari and
Ganesha rathams. The later southern temples have been largely influenced by the
Dharmaraja & Arjuna ratham styles. |
| Mandapams |
| There are eight mandapams located at various spots - the Dharmaraja, Kotikal,
Mahishasura, Krishna, Pandava, Varaha, Ramanuja and Shiva mandapams. In these rock cut
mandapams, there are sculptural reliefs depicting various stories from epics and
mythology. Krishna Mandapam : In this mandapam, the scene of child Krishna holding aloft
the Govardhana hill to protect the people of Gokulam from severe rains.
Mahishasuramardhini Mandapam : On one wall is depicted the scene of Goddess Durga
mounted on a lion, destroying the evil asura with a buffalo head, Mahishasura. On the
opposite wall is the scene of Lord Vishnu in repose (ananthasayanam) on the serpent
Adisesha. Varaha Mandapam : Two avatars of Lord Vishnu can be seen in this mandapam. On
one wall is the scene of Lord Vishnu as Varaha (with a boar head), lifting Boomi Devi
from under the ocean. On the other wall is the scene from Vamana avataram (dwarf brahmin
boy). |
| Shore Temple |
| The shore temple is located at the sea shore and has withstood the ravages of the sea.
Unlike the rock cut structures in Mamallapuam, this is a structural temple, built by
Rajasimha out of hard blackish leptinite. This shrine is dedicated to both Siva and
Vishnu. There are two vimanas, Ksatriyasimheswara facing east and the smaller
Rajasimheswara facing west dedicated to Lord Siva. The Vishnu griha is a mandapa between
these two called the Narapatisimha Pallava Vishnugriha. The names of these shrines are
the various titles of Rajasimha. The shrines have a square lower storey and a pyraidal
superstructure. The tower is more tapering than the monolithic structures.A sixteen
sided polished Siva Linga - in the bigger shrine. There are Somaskanda panels in the
rear walls of the Siva shrines. |
| Krishna Butter Ball |
| The huge boulder near the Ganesha Ratha is popularly known as Krishna’s butter ball. It
rests precariously on a narrow rock base. Legend has it that several Pallava Kings
attempted to move it, but all the kings and their elephants could not shift the boulder
even by an inch. |
| Dakshinachitra |
| A venture of Deborah Thiagarajan and her associates from the Madras Craft Foundation.
Dakshinachitra is an amazing place to visit, as various kinds of traditional houses have
been transported to Chennai from interior parts of Tamil Nadu, Andhra Pradesh and Kerala
and rebuilt here piece by piece |
| Crocodile Bank |
| In this crocodile farm about 40 kms from Chennai on the Mahabalipuram road, several
species of crocodiles, alligators & other reptiles are bred in captivity, kept in open,
marshy enclosures. There is a regular venoem extraction (from snakes) show. |
(The Package cost depends on the Group Size / Type of vehicle / Other Connected Services)